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ssl fusion stereo analogue colour

To access the hidden 6th LMC processor - hold down the HF Compressor ‘in’ button for 5 seconds and unlock full band LMC mode. It works like the familiar hardwired bypass, where you can compare the sound with/without Fusion with one button that glows red in bypass. All the pots and rotary switches are by Alps, and the bypass buttons are rubber matt switches made in Germany by Knitter. But I wish I could hold down the Transformer button and switch to a 300-ohm primary winding for a “hi-gain” boost! I have nothing in my analog racks that does what these processors are capable of achieving with so much precision and repeatability. It can sound very subtle and similar to using an external analog line amp on a mix bus for “color,” or, if you prefer, crank it up to a kind of quirky compression effect and distortion. Using test tones, I ensured that I had unity throughput gain with the Manley inserted. Input and Output connections are via XLR. These small transformers add low-frequency harmonics and some high-frequency phase shift. This is great for A/B’ing multiple processors or one at a time, in/out of the chain, which is a necessity when using the Vintage Drive section. Available on ALL Fusion’s - hold down the HF Compressor ‘in’ button for 5 seconds and unlock full band LMC mode. There was more “hair” to the sound—great for overly clean bass guitar tracks. A large toroidal power transformer dominates the rear of the cabinet, and ribbon cables connect the main board to smaller circuit boards behind the front panel and on the rear panel. The ultimate desktop mixer. The result is a simultaneous thickening of the low-end and an added sparkle to the high-end. SSL Fusion The SSL Fusion is an all-analogue 2U stereo outboard processor featuring five new analogue colouration tools designed to bring the perfect combination of added tonal character, weight and space to your mix bus or stereo stems, with the detail, warmth and finesse that … © 2020 Solid State Logic. Although I’m not a mastering engineer, I did try Fusion across several different rough and finished stereo mixes. I was mixing a ska/reggae song that had two programmed sampled grand pianos; they sounded harsh, bright, small and electronic. Inside Fusion’s all-steel 2U case is the main circuit board, which uses surface-mount components and is powered by an onboard linear power supply. Sustained notes were just slightly compressed and darker, and I didn’t notice any loss of low frequencies or a diminished punch. Product: Fusion Stereo Analogue Color. Next in the chain is the purple- and pink-knobbed Violet EQ—a discrete, minimum phase 2-band analog shelving equalizer. Tags ⋅ Analog ⋅ SSL ⋅ SSL Fusion ⋅ Stereo. I liked that even with the Insert bypassed in Fusion the path is still active, so I could roughly set up the compressors before “dropping” them into the path. The Density control changes the additional harmonic content from even-order distortion products when the knob is toward CCW, or more odd-order third harmonics as you turn it CW. Cons: Transformer processor section is too subtle. I then hooked up a Manley NuMu Stereo compressor/limiter (set to limit, but linking off) to the insert XLRs on the rear panel of Fusion. The meter measures from –21 dBu to +24 dBu and has a three-second peak hold time. Juggle the Input Trim and Output Trim to fairly compensate (for equal volume) when A/B’ing objectively. Unlike my sometimes wonky chains of disparate analog gear, I had no worries of proper gain matching or internally overloading one section or another while trying many different effect chains. Both bands are 6 dB/octave shelves with up to ±9 dB boost/cut. The SSL Violet EQ - an all-new minimum phase-shift, two-band shelving EQ. © 2020 MIX is part of Future plc, an international media group and leading digital publisher. Once I had a working balance of the entire kit for my mix with reverbs, automation moves, etc., I ran the entire stereo stem of drums through Fusion. Starting at the left side of the panel is the Input Trim control with its center-detent at unity gain—I would always check and reset this control before building a new sound. In this one we explain what we are doing and why. Besides the stereo input/output and insert XLR connectors, the rear panel also has an on/off switch, AC fuse and mains voltage selector. In this quick audio tour we run a backing vocal stem and tweak the controls of Fusion in real time so you can hear it in action. The SSL sonic legacy is built upon a much-emulated collection of analogue audio processing tools that have featured in generations of … Before downloading this file please read and consent to the EULA. These buttons are backlit white and dim while in bypass and become a bright orange when that processor section is engaged. Drive and Density controls interact to produce harmonic saturation and soft compression derived from overloading an analogue circuit. Although this piano was not recorded in an acoustic space, I could hear a widening of the entire piano image. With a fixed Density knob setting, Drive compensates for the concomitant level jump associated with this kind of effect by internally balancing the input and output levels. Being able to tame dynamically bright and brittle recordings is an excellent capability. I compressed this piano track hard in the Mid/Side Insert mode. This is an awesome design feature. SiX has a feature set driven by an obsessive desire for total flexibility and to encompass every creative eventuality. When Fusion is in bypass, this meter reads the input level automatically. The Threshold was at –2 dB with X-over set to 5 kHz. The SSL sonic legacy is built upon a much-emulated collection of analogue audio processing tools that have featured in generations of … A switched, custom-designed SSL Transformer circuit introduces subtle low-frequency saturation, alongside a high-frequency phase-shift. I first tried Fusion on a stereo drum stem. Pros: Five wonderful analog processors in a well-balanced chain. Fusion’s default processor chain order is exactly the same as the physical location of their control knobs and buttons on the front panel. Pros: Five wonderful analog processors in a well-balanced chain. A new High Frequency Compressor delivers the distinctive sound of high frequency rounding in the analogue domain. After the HPF filter are five analog “color” processor sections in this order: Vintage Drive, Violet EQ, HF Compressor, Stereo Image and Transformer (600-to-600-ohm). There is ±12 dB of gain available, and two red LEDs indicate left and right overload when input signals exceed +27 dBu. They are monitoring at all levels.). Placed at the output of Fusion are a pair of specially designed 600-ohm 1:1 transformers. Optimum sound comes from peaks around 15 or 18 dBu on the master meter. To provide an auditory confirmation of any button push, there is a relay “click” provided.

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